On a June evening in the suburban Orthodox mecca of Teaneck, NJ, a long line of women snaked outside a small independent theater that rarely sees much of a crowd. They were waiting to see Mikva the Musical, which came to the U.S. for a weeklong, women-only run following a successful stint in Israel.
Of course, the terms “mikveh” and “musical” don’t normally go together. A mikveh is a ritual bath, in which, among its other functions, married observant Jewish women immerse themselves each month after completing their menstrual cycles. It’s not something one associates with showtunes and zippy dance numbers: precisely the surprising juxtaposition that gives the play much of its humor and charm.