Faith and Art in Communist Russia

Anatoly Kaplan was the rare Jewish artist who managed to explore Jewish themes under the eyes of Soviet censors

My review of a wonderful art exhibit at Beit Avi Chai which appeared in the Fall 2023 Issue of Lubavitch International Magazine was recently posted to the web. The exhibit is called “The Enchanted Artist” and it was a the first major exhibit in Israel devoted to the artwork of Anatoly Kaplan, who according to the curators was “the only artist in the Soviet Union to put Jewish culture at the forefront of his work and to be recognized by the Soviet regime despite that.” Kaplan’s paintings are remarkable for how nimbly they incorporate Jewish themes while evading the Soviet censors, and they are also simply remarkable in their own right. It was a pleasure to learn more about Kaplan and also think about how the pressures that weighed upon Kaplan also drove the evolution of Chabad Lubavitch itself: “In a sense, Chabad’s collective memory and ethos were forged in the crucible of communism, in the midst of immense hardship that led to heroism—the sheer difficulty of Jewish observance driving home its precious necessity.”

“In a gray, dimly lit room, a mother ties a red kerchief atop her daughter’s school dress. Behind them, even more deeply in shadow, sits a bearded man wrapped in a traditional black and white tallit, bent over a prayerbook. 

The scene seems innocent enough, and yet, small details hint to the influence of powerful forces beyond the domestic sphere: The red kerchief was an obligatory symbol of membership in the Communist youth movement. The religious man is surrounded by two red curtains, which both serve to frame his figure and also suggest that he may need to hide at a moment’s notice. Even in 1976, when this painting was created by Russian-Jewish artist Anatoly Kaplan, it was nearly impossible to be an observant Jew in the Soviet Union. Like much of Kaplan’s work, Interior draws us into a world of tensions, memories, and contradictions inherent in the experience of Jews in Communist Russia.”

Read the full article at Lubavitch.com.

A New Read on Female Modesty

It was an honor to review Rabbi Anthony Manning and Bracha Poliakoff’s groundbreaking new book for the wonderful Winter issue of Tradition Journal. This review was written before October 7 and before the world as we know it changed. In truth discussions of dress codes and hair coverings feel very distant right now, as we fight a war for our survival and we mourn the loss of precious soldiers nearly every day. Yet it’s interesting to note that the primary Biblical source for Tzniut actually comes from the battlefield, from the requirement that Jewish soldiers maintain a sense of holiness and dignity in their encampment. This requirement filters through to the soldiers of Tzahal today, where their remarkable integrity, spirit and faith distinguish them from every other army in the world. Please enjoy the review which has been released from the paywall courtesy of Tradition Journal.

Now We Act as If Everyone We Encounter Might Be Grieving

Some reflections on the Simchat Torah Massacre from my own vantage point here in Israel

On a beautiful Thursday during the middle days of Sukkot, my family took a day trip to the Golan Heights. We visited a newly developed national park called Sussita, which contains the ruins of the ancient Graeco-Roman city Hippos. It was also the site of a daring defeat of Syrian troops by ordinary residents of the nearby Kibbutz Ein Gev in Israel’s War of Independence. The site’s vivid explanatory movie had my older children mesmerized, but afterwards they started to ask questions. Are there still enemy soldiers waiting in those hilltops? Could it happen again? Could ordinary people have to fight like that to save their homes and their families? I answered, of course, by reassuring them: we live in different times today. It’s true there are people who wish to harm us but we live in a strong country with many layers of protection between children like you and those enemies. We admire the heroes of the past, but we’re grateful that we don’t have to live in such dramatic times.

On Simchat Torah two days later that reassuring narrative would collapse, and we entered a new reality, or perhaps returned to a very old one…

The full essay can be found in Mosaic Magazine as part of their excellent Gaza War symposium.

Review: My Quarrel With Hersh Rasseyner by Chaim Grade

Translated by Ruth Wisse

Published by The Tikvah Fund and Toby Press

The year is 1948. Two Holocaust survivors run into each other on a Paris subway. Though each had assumed the other was killed in the Holocaust, they waste little time exchanging questions about wartime experiences or polite inquiries about the well-being of family and friends. Instead, the two fall back into an argument they had begun many years before, in the period preceding World War II. Both are graduates of the Novardok yeshiva in Lithuania, and their argument is intellectual, philosophical, and also deeply personal. They debate the question of how a Jew should relate to the world around them. One believes the world outside of Judaism is rich with insight and enlightenment. The other maintains that the Torah is the only source of meaning in this life, and all other endeavors amount to nothing but vanity and self-destruction. 

For the full review of this wonderful new translation of a classic Yiddish story see the excellent new issue of Lubavitch International Magazine.

Invest in Your Future Family: A Mommash Parenting Podcast

While podcasts are not yet entirely in my comfort zone, I appreciated the invitation to talk to Lori Fein Ramirez about family life and some of challenges as well as opportunities that we’ve encountered. Lori’s hilarious summary below:

Sarah Rindner Blum, an author, literature professor, and mother to a “steps and stairs” family of seven children in twelve years, shares her insights on why having “one more kid” is worth the investment. Join us for deep reflections on how each child offers something unique and priceless, how different roles for mom and dad make it work, Israeli vs. American cultural attitudes toward children, why Shabbat is the center of her homemaking all week long, spontaneity versus planning, lots of candy, her semi-broken set of devices for her family, some favorite children’s books, making literature a part of your family lore, her trash-into-treasures child, a mouse named Bob, having a home life different than you had imagined, why there’s nothing like an American minivan, and why a Jewish mama only needs to cook once a week.

Feel free to give it a listen on Spotify, Apple, or wherever you listen to your podcasts, and make sure to follow Mommash: The Oy and Joy of Parenting for loads of wonderful parenting wisdom.

A Religious Musical in Secular Tel Aviv

Traditional lines between the secular and religious populations are fading, particularly in the realms of music and art.

I’d like to belatedly share excerpts from an article that appeared a few months back in Mosaic Magazine. The growing popularity of religious singers among secular audiences here in Israel has been noted elsewhere. One hopes that this rising trend can serve to combat some of the tragic division we see in Israeli society right now.

“This past Sukkot, a crowd of about 500 children, parents, and grandparents gathered in the Recanati Theater in the Tel Aviv Museum of Art. The audience was made up of affluent and mostly secular residents of north Tel Aviv and its suburbs—stylishly dressed, sipping lattes and organic juice sold at the trendy coffee shop nearby. To an outside observer, the scene would be almost indistinguishable from a family-oriented play or concert in Park Slope, Brooklyn. The content, however, was distinctly Israeli: a jukebox musical called Aluf ha-Olam (literally, “Champion of the World”), based on the songs of the religious Zionist singer Hanan Ben-Ari, written and performed by Israel’s most prestigious children’s dramatic company, the Orna Porat Theater. Tickets for Aluf ha-Olam are in high demand and sell out quickly, so I booked seats for me and my children several months in advance. One could sense from the anticipation in the theater that many others had done the same.

Hanan Ben-Ari is one of Israel’s best-known musical performers, albeit without the international break-through appeal of peers like the religious music sensation Ishai Ribo. His strength is in his songwriting; catchy tunes, drawn from eclectic influences, and coherent, powerful lyrics that comment on personal, often spiritual, struggles…

…Ben-Ari’s penchant for infusing lyrics about universal topics with the language of the synagogue and yeshiva tends to obscure the boundaries between sacred and secular idioms. His 1980s-inspired feel-good ballad “Dream like Joseph,” for instance, argues that every story in the Bible reflects some basic human experience: “everyone leaves his father’s home/ everyone nearly sacrifices his child/ deep within is a little Sodom/ that he wishes to erase already/ and angels will rescue him…”

…Thus the prospect of translating Hanan Ben-Ari’s music into an Israeli secular vernacular, as Aluf ha-Olam seeks to do, is daunting, and perplexing. It raises the question of whether Ben-Ari’s biblicism and Jewish allusions are charming embellishments or so central to his work that they cannot be disentangled from it. But merely to ask this question is to acknowledge that Israeli society’s shared cultural touchstones appear to be growing more and more Jewish, and traditional lines between the secular and religious populations are fading, particularly in the realms of music and art…”

For the full article see here.

Torah U’Madda at a Crossroads: A Response to My Critics

As someone who typically writes about literary or religious matters, my essay in the recent  Lehrhaus Torah U’Madda Symposium generated an unusually heated response.   After reviewing several hundred Facebook comments and responses, as well as private messages and emails, I believe that some kind of response is in order. While I am unable to respond to each and every critique, a few types of critiques emerged to which I’d like to respond. 

The first criticism I’d like to respond to is the simple shock and horror for some that I possess a certain, largely imaginary, set of beliefs. I was accused of being a Trumpist and of being ignorant of and indifferent to data surrounding the Coronavirus pandemic. One admittedly humorous turn of phrase called my vision of Torah U Madda, “Torah U MAGA.” Let me just be clear: I am not a Trumpist in the way these people mean. I do know some relatives and friends who probably fall into this category – who still invoke him frequently in nearly every political conversation and who seek to justify his every failing. I really like many of these people, but I don’t share their unyielding faith in President Trump. My own political philosophy is fairly cynical. I tend to distrust people in power, whether on the right or left. This also underlies my conservative outlook. I prefer that the government have less power rather than more power. That said, I think Trump was the most sympathetic American president to the plight of the Jewish people that I have seen in my lifetime. This demonstrated itself not primarily through his rhetoric but through concrete policy choices: moving the US embassy to Jerusalem, recognizing the Golan Heights as part of Israel, the pursuit of an astounding successful peace initiative with various Arab countries, and the choice to surround himself with Israel advisers who were themselves proud, confident, unapologetically unassimilated Jews. Maybe Trump’s solidarity with Israel and the Jewish people was motivated by genuine conviction. Perhaps it was an effort to curry favor with the Christian Right as some commenters suggested. Maybe it was, as I am inclined to believe, the hand of God working in unexpected ways. Yet to me this is all largely a side point. It should not be considered morally suspect to state these basic facts and also express appreciation, even if one has other criticisms of his public persona or presidency. 

As for masking small children, I think there’s a difference between the question of whether or not this was a justifiable policy and whether or not Modern Orthodox schools had an obligation to follow the guidelines set forth by various government bodies. I have little sympathy for the non-scientific, non-evidence based suggestion that having such children wear cloth masks for most of the day, except when eating or napping, was ever going to make any material difference whatsoever in community infection rates. Even the few studies which suggest extremely mild benefits are problematic and have largely been discredited. There is no evidence that Haredi school communities, which wisely disregarded these rules, had any worse outcomes than any other school communities. In my mind, the most legitimate debate here is related to communal priorities and not health. Can we say that Modern Orthodox schools were justified in putting legal compliance ahead of the emotional and physical development of their youngest and most vulnerable members? Perhaps one could make such an argument. I strongly disagree. But those are the appropriate terms of debate. 

Another line of criticism I saw related not to the substance of my argument but rather to my mashing together of two seemingly disparate lines of thought. On the one hand I was making an abstract, philosophical argument based on a work of literature, not inherently political nor necessarily controversial as such. On the other hand I invoked a set of right-wing political talking points that don’t seem to organically emerge from the Isaac Bashevis Singer story, and as such seem somewhat contrived and suggest I need better editing. I always seek to grow as a writer and I accept much of this criticism. Yet what I saw in the story was an invitation to apply its messages to one’s own life. When Reb Nechemia perused the bookshops of Warsaw he came across the “hot topics” of his own day – atheism, communism and secular Zionism. His journey back to God involved investigating these idols and identifying them as such. Would the story have worked better if Reb Nechemia stayed in Bechev, held onto a consistent vocabulary, and not constantly zig-zagged between demons and Darwin, potato kugel and prostitutes, and all the disjunctive and incongruous elements that plagued him and caused his religious crisis in the first place? Generally, in our sad era of trite and predictable internet banalities, if we come across a piece of writing that surprises us, it may not be a bad thing. Was my short essay the perfect example of this fusion and transcendance of genres? Probably not. For better inspiration I’d suggest you go back to the original source itself (“Something is There,” by Isaac Bashevis Singer, available in Volume II of the Library of America anthology of Singer’s work). 

The most personally compelling critiques I came across related not to the substance of the essay as much as its strategy. The argument is basically: why introduce potentially alienating concepts when your argument is otherwise one that a wide cross-section of people would benefit from hearing? I am grateful for this criticism as it presupposes other parts of the essay may be worthwhile. But what does it say about readers who cannot read any praise for Trump, or any disparagement of masks, to the point that they are unable to process any other part of the argument that they might otherwise appreciate? And what does it say particularly about the Modern Orthodox community, when our Israeli and modern Haredi brethren agree with one or both of these controversial claims as a matter of course? Beyond my own cranky laundry list, how many other topics within our community are we keeping quiet about, fearful of attracting derision from our Rabbis and teachers, or from the internet mob? Does a respectable forum within the Modern Orthodox community exist where we can explore marginal, seemingly unpopular, or even extremely popular but non-politically correct points of view in a way that can help us refine them? 

This gets me to the most common response I received, on social media but mostly in person or through private messages: that is one of agreement.  These include ordinary parents who have spent their adult lifetimes struggling and saving to finance their children’s Modern Orthodox education who experienced grave disappointment with the draconian actions of these schools during Covid. They are ashamed that their prized institutions lack the moral clarity possessed by far less “sophisticated” yeshivish institutions just down the road. One prominent Modern Orthodox yeshiva administrator wrote “for the first time in my life I have questioned sending my children, and educating them, in the MO environment.” For many reasons, not just the ones outlined in this piece, I believe we are entering an inflection point in the future of Modern Orthodoxy in America. It’s worthwhile to try to understand this trajectory from a variety of different angles. It is crucial that we maintain the ability to express our concerns and points of view without demonizing each other. For that reason I am grateful to The Lehrhaus for hosting this conversation.

Shababnikim Season Two: Welcome to Rehavia

“On a bright spring day in a swanky Tel Aviv neighborhood, a handsome man sporting a trim beard and a perfectly perched black yarmulke alights from an expensive SUV. He kisses his beautiful and modestly clad wife, as three smartly dressed yeshiva boys across the street watch, swoon, and dream of similar lives for themselves. “A yeshiva boy who married well?” one suggests. “No, no—he earned it for himself!” his friend explains: After being expelled from a prestigious yeshiva for owning a smartphone, he flew to Rome, camped out for a week on the doorstep of Borsalino headquarters, and earned the right to open the first official Israeli chain of stores for the high-end Italian hatmaker. Although he is too busy earning money to study in yeshiva full time, he still dedicates time every day to study Talmud. “The modern haredi,” the boys say, sighing. “He enjoys both worlds. He has this and yet he also has that!” As they wave to him crossing the street, a large truck comes out of nowhere and plows into him. And so the show’s question remains: Is it really possible to have both this and that?”

Please check out the absolutely wonderful latest issue of Jewish Review of Books for a review of the second season of Shababnikim, a fabulous Israel television series with much more depth than initially meets the eye.

One Life to Live: Torah U-Madda Today

In a new symposium at The Lehrhaus entitled “Reclaiming Torah u-Madda,” I was given the chance to reflect on the state of “Torah U-Madda” (the relationship between Torah and Western culture) in the Modern Orthodox community today. I sought to address this topic on a philosophical level, through an analysis of a wonderful story by Isaac Bashevis Singer, as well as through some “real-world” examples of how these ideas might play out in practice. My latter comments generated more controversy than I would have liked. I would like to emphasize that my account of what has challenged me personally about my native community is not meant to constitute a comprehensive indictment of all that is wrong with Modern Orthodoxy. My goal in the essay is to introduce a philosophical framework and then briefly suggest how this framework might cohere in real-life scenarios. I don’t mind disagreement about the relevance of these scenarios but I am even more interested in discussing the worldview that underlies them.

Please see here for the full article. And I recommend perusing all of the terrific contributions to this forum.

Living Antiquities: Ozick, Great Books & Judaism

A recent conversation over at Tradition Magazine discusses the potential relationship (or lack thereof) between “Great Books” and Judaism. I weighed in with the help of one particularly great book, Antiquities by Cynthia Ozick. Please read the full essay here.

An excerpt: “There are many wonderful cases to be made for the contributions of great books to our culture, our civilization, and to ourselves. But on a common-sense level, Menand is right. While people who love literature (myself included) can make a compelling case for why these texts enrich our lives, we cannot generalize that those who read great literature are on the whole better people than those who are interested in other matters. Countless well-known authors and literature scholars have been involved in every kind of sordid affair imaginable. Indeed, whenever a new anti-Semitic tinged crusade against the Jewish State pops up, literature departments are inevitably leading the charge. Menand writes that “knowledge is a tool, not a state of being.” To me there is no doubt that the experience of reading Cervantes or Jane Austen can generate profound insights into the complexity of human experience, and morally sensitive writers like George Eliot or Leo Tolstoy create a powerful case for virtue. Yet clearly something else is necessary in order to lay the foundations of a moral life in practice.”

For more on that “something else,” see my latest in Tradition.