Invest in Your Future Family: A Mommash Parenting Podcast

While podcasts are not yet entirely in my comfort zone, I appreciated the invitation to talk to Lori Fein Ramirez about family life and some of challenges as well as opportunities that we’ve encountered. Lori’s hilarious summary below:

Sarah Rindner Blum, an author, literature professor, and mother to a “steps and stairs” family of seven children in twelve years, shares her insights on why having “one more kid” is worth the investment. Join us for deep reflections on how each child offers something unique and priceless, how different roles for mom and dad make it work, Israeli vs. American cultural attitudes toward children, why Shabbat is the center of her homemaking all week long, spontaneity versus planning, lots of candy, her semi-broken set of devices for her family, some favorite children’s books, making literature a part of your family lore, her trash-into-treasures child, a mouse named Bob, having a home life different than you had imagined, why there’s nothing like an American minivan, and why a Jewish mama only needs to cook once a week.

Feel free to give it a listen on Spotify, Apple, or wherever you listen to your podcasts, and make sure to follow Mommash: The Oy and Joy of Parenting for loads of wonderful parenting wisdom.

Shababnikim Season Two: Welcome to Rehavia

“On a bright spring day in a swanky Tel Aviv neighborhood, a handsome man sporting a trim beard and a perfectly perched black yarmulke alights from an expensive SUV. He kisses his beautiful and modestly clad wife, as three smartly dressed yeshiva boys across the street watch, swoon, and dream of similar lives for themselves. “A yeshiva boy who married well?” one suggests. “No, no—he earned it for himself!” his friend explains: After being expelled from a prestigious yeshiva for owning a smartphone, he flew to Rome, camped out for a week on the doorstep of Borsalino headquarters, and earned the right to open the first official Israeli chain of stores for the high-end Italian hatmaker. Although he is too busy earning money to study in yeshiva full time, he still dedicates time every day to study Talmud. “The modern haredi,” the boys say, sighing. “He enjoys both worlds. He has this and yet he also has that!” As they wave to him crossing the street, a large truck comes out of nowhere and plows into him. And so the show’s question remains: Is it really possible to have both this and that?”

Please check out the absolutely wonderful latest issue of Jewish Review of Books for a review of the second season of Shababnikim, a fabulous Israel television series with much more depth than initially meets the eye.

Jewish Continuity and Jewish Destiny: It’s Not Just About You

A Response to Is Jewish Continuity Sexist? by Mijal Bitton (Sources: A Journal of Jewish Ideas, Spring 2021)

“In delineating the various people and parties who could conceivably be offended by a Jewish continuity agenda, Bitton leaves out the most important population of all: the future humans upon whom the entirety of civilization rests. It’s true that having children is physically and emotionally taxing, and undoubtedly the burdens are unequally distributed between genders, at least for discrete periods in a child’s life. Some of these challenges can certainly be remedied; others are on a certain level inherent. Eve is told “in pain you shall bear your children,” and Adam too, is destined to work hard for all the days of life. Yet any account of these difficulties needs to be contextualized with at least a passing mention of the vast potential that accompanies bringing forth new life into the world.”

Please see here for the full response, thank you to Sources and to Mijal Bitton for the opportunity to reflect.

The Rabbi Who Chose Trans Orthodoxy

“Shortly before the 1991 Gulf War, Rabbi Yaakov Smith, a father of six and an emissary of the Chabad Hasidic movement in the Old City of Jerusalem, hosted a Shabbat dinner. As the guests were leaving, one took Smith aside and said something that would reverberate with his host: “That was an amazing act you performed. Whatever is wrong, take care of yourself.” Fast forward thirty years and Yaakov has become Yiscah Smith, a transgender person who still lives and teaches in Jerusalem. Smith’s transformation is the subject of the documentary I Was Not Born a Mistake, created by the Israeli filmmakers Rachel Rusinek and Eyal Ben-Moshe. The film premiered at the Jerusalem Film Festival this past Hanukkah and made its U.S. debut in January.:

Read the full review at First Things.

Repentance and Desire

A review of Yearning to Return (in Hebrew מחכה לתשובה) by the inimitable Rabbanit Yemima Mizrachi

״Yom Kippur is a day that most contemporary Jews associate with somber reflection and sensory deprivation. Yet, according to the Rabbis of the Mishna, it is actually one of the two most joyous days in the Jewish calendar. The other, Tu b’Av, is a holiday of love. centrality of joy, love, and human desire to Yom Kippur is explored by Israeli teacher and speaker Rabbanit Yemima Mizrachi in her recently translated book, Yearning to Return: Reflections on Yom Kippur

To read the full review see the the Jewish Review of Books today.

Shabbat Shalom and Gmar Chatima Tova to all.

Mikva the Musical

On a June evening in the suburban Orthodox mecca of Teaneck, NJ, a long line of women snaked outside a small independent theater that rarely sees much of a crowd. They were waiting to see Mikva the Musical, which came to the U.S. for a weeklong, women-only run following a successful stint in Israel.

Of course, the terms “mikveh” and “musical” don’t normally go together. A mikveh is a ritual bath, in which, among its other functions, married observant Jewish women immerse themselves each month after completing their menstrual cycles. It’s not something one associates with showtunes and zippy dance numbers: precisely the surprising juxtaposition that gives the play much of its humor and charm.

Read the full article in Mosaic Magazine.

Radical Chesed: We Can All Use Some Henny Machlis, zt”l, in Our Lives

machlis-credit-joan-roth

In 2016, a hefty new Artscroll biography was published whose cover stands out in the sefarim store among images of bearded rabbis. Emunah with Love and Chicken Soup is the story of the late Rebbetzin Henny Machlis, whose Jerusalem home was legendary for welcoming hundreds of guests each Shabbos, providing them with home-cooked meals as well as a deeper nourishment they may not have known they needed. The book is written by Sara Yoheved Rigler, author of Holy Woman and a frequent contributor to Aish.com. Rigler writes with a unique appreciation for holy Jewish women. While her books would probably not pass the academic smell test, she is able to convey the passion and fire of a great individual in her writing in a way that tends to escape her more polished peers. Henny Machlis as well as her husband Rabbi Mordechai Machlis were truly great individuals who stretched themselves beyond their individual egos to leave a remarkable legacy. Rigler writes in the book that when Henny was younger she used to say that she wanted to have 20 children and introduce Judaism to the entire world. She ended up having 14 children (with nine c-sections!) and inspired tens of thousands of Jews and non-Jews alike. She was, as the book jacket describes, “a virtuoso in chesed,” someone for whom the normal boundaries separating oneself from others is effaced.

For the full review, in the Jewish Link of NJ’s Literary Link, click here.

Tragedy and Comedy in Black and White

Lately it seems to be the season of haredim on screen. My immersion in this very particular oeuvre began with Shtisel, the 2013 runaway hit Israeli TV series, which depicts a haredi family in Jerusalem in all of its complicated, charming dysfunction. (The first two seasons are now available with English subtitles on Netflix.) More recently, Autonomies (2018) presents a dystopian division of Israel into separate secular and religious states. In the United States, two recent documentaries showcase radically divergent ways of understanding the New York Hasidic community and the experience of marginal figures within it. Haredi Jews are not always interchangeable with Hasidic ones, and Israeli soap operas are different than American art-house documentaries. Yet in considering all of these offerings, certain patterns inevitably emerge. Counterintuitively, the more serious offerings in this genre are the ones with a lighter touch.

Read the full article in Jewish Review of Books.

Aviva Gottlieb Zornberg’s Bewilderments: Reflections on the Book of Numbers

In this month’s Jewish Action I review Aviva Gottlieb Zornberg’s new-ish Bamidbar anthology.

Excerpt: Beyond offering specific insights, Zornberg presents an expansive framework for reading Tanach that sets her apart from nearly every interpreter out there. Her books are a true illumination of the Talmudic maxim which describes the Torah: “Turn it and turn it for everything is in it” (Avot 5:22). Zornberg highlights the remarkable potential of Tanach to reflect upon, and in turn be illuminated by, many of the deepest questions and concerns raised in continental philosophy, postmodern criticism and the field of psychoanalysis.

The full review may be read here

On the Great Hebrew Poet Rahel

In his essay on the poet Raḥel, Hillel Halkin offers a fascinating study of her too-brief life (1890-1931), her poetics, and the unique place she occupies in the Hebrew literary landscape. Certainly, against the background of the pioneering Zionist ethos of her time—nationalistic, idealistic, and collectivist—the intense individualism of Raḥel’s verse stands out. No less deeply committed to the Zionist enterprise than other poets cited by Halkin, notably Uri Tsvi Grinberg and Avraham Shlonsky, she devoted herself mainly to the exploration of such seemingly inward emotions as sadness, longing, humility, and self-doubt.

The study of poetry on its own terms is a noble literary ideal, but it is difficult to read the poetry of Raḥel without also ruminating upon the personal circumstances, especially the disease to which she would eventually succumb at the age of forty, that may account for the themes of suffering, loneliness, and longing that run through her work. It is perhaps for this reason that Halkin in the end deems her to be, with emphasis on both adjectives, a “great minor poet”: that is, one who deals with localized themes, seemingly without obvious public import, but who nevertheless addresses them with a clarity and virtuosity that ensures he or she will never be forgotten—as, in Israel, Raḥel has indeed never been.

Yet might this major/minor distinction, which Halkin applies with subtlety and generosity, ultimately be something of a false choice?

Read the rest of this response in Mosaic Magazine,