Mikva the Musical

On a June evening in the suburban Orthodox mecca of Teaneck, NJ, a long line of women snaked outside a small independent theater that rarely sees much of a crowd. They were waiting to see Mikva the Musical, which came to the U.S. for a weeklong, women-only run following a successful stint in Israel.

Of course, the terms “mikveh” and “musical” don’t normally go together. A mikveh is a ritual bath, in which, among its other functions, married observant Jewish women immerse themselves each month after completing their menstrual cycles. It’s not something one associates with showtunes and zippy dance numbers: precisely the surprising juxtaposition that gives the play much of its humor and charm.

Read the full article in Mosaic Magazine.

Tragedy and Comedy in Black and White

Lately it seems to be the season of haredim on screen. My immersion in this very particular oeuvre began with Shtisel, the 2013 runaway hit Israeli TV series, which depicts a haredi family in Jerusalem in all of its complicated, charming dysfunction. (The first two seasons are now available with English subtitles on Netflix.) More recently, Autonomies (2018) presents a dystopian division of Israel into separate secular and religious states. In the United States, two recent documentaries showcase radically divergent ways of understanding the New York Hasidic community and the experience of marginal figures within it. Haredi Jews are not always interchangeable with Hasidic ones, and Israeli soap operas are different than American art-house documentaries. Yet in considering all of these offerings, certain patterns inevitably emerge. Counterintuitively, the more serious offerings in this genre are the ones with a lighter touch.

Read the full article in Jewish Review of Books.

Return and Repentance in Modern Jewish Literature

Please see the Jewish Review of Books for the full column. Or Mosaic’s summary here.

….The word for repentance in Judaism, teshuvah, translates literally as “return.” A secular Jew who becomes observant is deemed a ba’al teshuvah, literally a “master of return.” Or, in modern Israeli parlance, a chozer be-teshuvah, which we might translate as a “returner to returning.” (His Christian equivalent is described as undergoing conversion or, in certain circles, as being “born again”—both of which are more radical than returning.) The word teshuvah implies that no great break is needed on the way to spiritual renewal. Rather, moving forward is a process of getting back in touch with what was, in some sense, there all along, though what you return to might be neither the religion of your great-great-grandfather in the Pale of Settlement nor that of an affable Chabad outreach rabbi half your age. Return need not be to any discernible prior place at all. The Talmud writes that God created the possibility for teshuvah before creating the world (Nedarim 39b). Return is a state of mind….